Wanderlust by Leigh Warren & Dancers

“ A journey, from first steps to moonlit death. There are moments of sheer magic when the performers, enhanced by India Flint’s pale, floating costumes, seem to swirl through luminous spaces created by Nic Mollison’s extraordinary lighting.”

Alan Brissendon, The Australian Newspaper

Seven by Leigh Warren & Dancers

“Nic Mollison's lighting and video design should not go unmentioned, as this was central in making the production as visually stunning as it was.”

Alice Allen, Australian Stage Online 24 August 2009

Oedipus Rex, Bakehouse Theatre

“While the smoking of the theatre is a bit acrid, it enhances Nic Mollison’s artful floor lighting, it is a sublimely well-lit production.”

   Samela Harris, The Advertiser Newspaper

OnEgo by Michael Hill & TheimaGen

“It’s not often you find theatre productions of this technical depth and complexity on the Fringe. Even rarer is that these visual and sound designs are a necessary adjunct to the play. On Ego has the feel of a theatrical exploration from Adelaide director Michael Hill and TheimaGen's audio, visual and stage designers, Peter Nielsen and Nic Mollison. Using scrims and clever trompe loeil, and almost subliminal sounds, we occasionally float through the brain's dendrites or see paradoxes that put us in mind of the most wonderful organism.”

Tim Lloyd, The Advertiser Newspaper

Pomona Road Part 3 by Katrina Lazaroff

“They are further defined by Nic Mollison's rich lighting design, virtually another character in the drama”

Alan Brissendon, The Australian Newspaper

Penetrator By Eddie Knight

“Suddenly the next car stops as indicated by the red glow of tail lights ahead. This was the best overture for a play you'll see in a very, very long time (Nic Mollison - lighting).”

David Grybowski DB magazine

The Private Visions of Gottfried Kellner, Bakehouse Theatre

“The Set is sleek and unfussy, superbly enhanced by Nic Mollison’s nigh perfect lighting.”

Samela Harris, The Advertiser Newspaper

Love Deceit & 81 Questions by Leigh Warren & Dancers

“The silent star of the show is Nic Mollison’s lighting, providing dimension amid darkness for Utans and caressing the salt floor for Whaites.”

Alan Brissendon, The Australian Newspaper

The Yum Yum Room by Stephen House

“Nic Mollison (lighting design) ingeniously uses a backlight shone through a stack of plastic crates to manifest Tom’s hopes with a big city skyline.”

David Grybowski The Adelaide Review